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onluded
aainonfolloeho
or,inoneofhisbestknos,drink
iedpalace,
eofthegreatilies:
hillside,hjustasiage,halldoorsclosedandasolitarypeachtreein
thefarrupletothefieldshavegone,
isachieved,then,isapoeticfeelingforthepeachtree,supposedtobecapable
ierialflo.soberidsarechatting.
aotions,notbydirectpersonificationbutbying
ihedecayoftheblae
anddeadboredaretheflosideitsdoors.
etiohesotiontoliveand
ofbeing”bored”todeath,.thesateique,orrather
not,astheyoughtto,reerhoudsharethepoetsfeelingofpoignant
taphorsintheelvesarenothing:thepoetrynsistsispreadinghis
thelastandstiortantpointistheiofnaturalobje
andtheshewangandhsiehhalls,
regret.
lateattipassedtheverdanthills,
houtoingintothedetailsoftheirdisurse:
taphors,like”idleflohesadhechafingsparroc.the
e.
noheredsparroing,
sharehisople,he
beginoneofhisbestpoe:
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hisnotebook:
valley.istillreerthelasttyfriechedin
attitude,isextrelyninallgoodesepoetry.so,forinstance,didlipo
nonpeopleshos梬ithouttheirknowing.
andontheblackgoheevningsunisglowing,
hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered
fullblossotandingidlyinfront,apparentlyingitsfragrantgloryoed
threelelonggayandgreenoas”heartless”becausetheydid