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第85节(2/2)

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

fnvisitorsatesetheatresareoftenstruruciatingnoise

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”civilized”odetheatrebuildings.

instcases,hoph

yfireliefthat,

esetheatresurroundings.

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

dodiatelyaftertheoasioheatrehereforeintheopenandthe

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

oddnts,andyouhaveapictureoftherelatiohe

falsettooflesingers,.this

theesetheatreofthebettertypeinayardliketheelizabethare.

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

butsohoselvestoit,asthearishave

greatchukoliangireetsofoldpeking.

lovelyasthetaryis,asandtheodddratigs

ofthepeople.igineapeopleassesknoireetsandatall

...

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

frohesaxophoneandothersounddnessfrohejazzbandany

hairandcladintatters,singingtheairsofkunggdagthepartofthe

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

fropurelyliterarypointofvieatiatypeofpoetry

aniaina,unknoi

hsiaotiao}tofindsoofovesre

or”operania,”aenseeaniafthelohdishevelled

unterevideheapparentforteristoleratesqueaks

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

heardaleaovies.when

st,oobe

arealfoodof

usedasaansofattragattention;theyalheplaysanduldbe

it.tiedand

orlessaloaintraditio

inofthedruandgongsandthefalsettolybeuoodinthelightof

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