sihofthehorse,

providesasofaesthetiiationayhe

such,asapartfrotent.apaintinghastonveya,butaten

field,everyvarietyofrhythasbeeeduponaypeofstructure

fundantalstrokesofing.ifthereisohis,hewill

fotten,andthelinesandforareappreselves.inthis

certaintypes,suchastheyularityorofaforevertoppling

andforandithasdoneso

distinguishhielfbyaructure,therefore,incalligraphy,if

basesofesenotionsofbeauty.

asthisarthasahistoryofhousandyears,andaseveryertriedto

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

itseetothatand

...

realisethatthesee.”

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

strusustsolveforhielf.thus,through

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

hasbeenexplored.theientpossible,andtheeseters,heoretically

hebranflohafehespringing

aesthetiisticipleaybe

cultivationandappreciationofpureposition,

position,standsiiontopaintingaspuretheticsstandsiionto

fpaintii

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

therefore,theairedevotiontopurefors

byderivingitsartistinature,espeals梩

inanythioftheeseartistid.

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

sotiseveyinslouessularity.thustheartofcalligraphy

stfruitfulofresultsoodandapplied.asstated,ese

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

本章已阅读完毕(请击下一章继续阅读!)