asthisarthasahistoryofhousandyears,andaseveryertriedto

...

strusustsolveforhielf.thus,through

andforandithasdoneso

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

distinguishhielfbyaructure,therefore,incalligraphy,if

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

fpaintii

stfruitfulofresultsoodandapplied.asstated,ese

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

therefore,theairedevotiontopurefors

cultivationandappreciationofpureposition,

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

certaintypes,suchastheyularityorofaforevertoppling

fundantalstrokesofing.ifthereisohis,hewill

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realisethatthesee.”

itseetothatand

sihofthehorse,

providesasofaesthetiiationayhe

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

sotiseveyinslouessularity.thustheartofcalligraphy

position,standsiiontopaintingaspuretheticsstandsiionto

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

aesthetiisticipleaybe

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

fotten,andthelinesandforareappreselves.inthis

hebranflohafehespringing

field,everyvarietyofrhythasbeeeduponaypeofstructure

basesofesenotionsofbeauty.

hasbeenexplored.theientpossible,andtheeseters,heoretically

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

byderivingitsartistinature,espeals梩

inanythioftheeseartistid.

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

such,asapartfrotent.apaintinghastonveya,butaten