transfortioniistsnd,shoofitsirrelevasdisharnies,and

spirit.

nner.sohohepicturebeforeushasundergoneaninnerprocessof

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

esepainting,thefloure,isdistinguishedbyaspiritandan

enoofterial,rkedbythenyblankspaces,anideaofposition

givingusonlyapletelysatisfying

iii.painting

odeepainting,and

nn.itoachievea

boldnessandfreedofthebrushpresstheonlookerinanunfettable

artisthasinterferedaterialrealityaedittousonlyasitappearsto

seeninastudyofesepaintingandarture.inthelinesandpositionof

thepointsofntrastarationeasiertotradhatthe

thefullsignifialligraphyasthebasisofeseaestheticswillbe

atsphereallitso

poetry,painting,arture,porcelainandhousederations,aialunityof

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

abletoessquare,inlinesandfortrulyhyofthe

hewillbe

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

sandstructuresofesearture,weshallbe

abletheprinesecalligraphy.thesebasic

painting,butessentiallydifferentandachievedbydifferentans.itshoain

ishardtograspandexpress.ithasaosphere,visibleine

epoetry.thatdifference

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