shenpo.ifthespaybesaed,as

lishu,andthearript.”oneseesalsointheholloherocksa

offeurecraftsnship.

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ntouroftheterisurical,butispagisanunfivable

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

saidaboutpaintihateverylineshouldtallalong,andhihsaid

ybeseeninyiiyujensatterineseingifthe

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

andnizesfurtherinthesileunityofdesignofesepaintingsth

sicstrokes.iinglihepine

treesthehesealter.forthisisasecretleftusbyghao

oneevenobiletongue,dippedininkandligthepaperashedra\vs

fugitivespiriti.doicarehertheyareexactoot,herthe

typeofsalledfeipo,any

treeohesaprincipleoftingusedineseings.tungchig

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

said:”anticbrush,

thisdesireisuandableuholarsspiritwas

principle,forproperspagistheveryfirstlaatedbypao

notinteopyreality,butrelytopleaseself”

ngfuhielf.further,theartistiportantcalligraphic

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

ngelsewas

dehesati”rontid”thespiritoftherecluse.”itisthisquality

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

along,paintingillis,thesreation.

saidthat”,theyshouldapplythelaherunningscript,the

hunspirittogetathedru

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

landscapesofthesouthesertaininfluenalligraphy.first,ohe

hollohetreofthestrokes,aheenthe

thisplayingodatsforacertainqualityofesepainting,calledyi.the

aybeusedto

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

...

oflightheartedandinguisheslipospoetry.thisyi

oneshherefore,ineseinkdraanfiguresand