hunspirittogetathedru

notinteopyreality,butrelytopleaseself”

lishu,andthearript.”oneseesalsointheholloherocksa

saidthat”,theyshouldapplythelaherunningscript,the

andnizesfurtherinthesileunityofdesignofesepaintingsth

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

oflightheartedandinguisheslipospoetry.thisyi

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oneevenobiletongue,dippedininkandligthepaperashedra\vs

ngfuhielf.further,theartistiportantcalligraphic

oneshherefore,ineseinkdraanfiguresand

aybeusedto

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

shenpo.ifthespaybesaed,as

typeofsalledfeipo,any

landscapesofthesouthesertaininfluenalligraphy.first,ohe

principle,forproperspagistheveryfirstlaatedbypao

sicstrokes.iinglihepine

dehesati”rontid”thespiritoftherecluse.”itisthisquality

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

ybeseeninyiiyujensatterineseingifthe

offeurecraftsnship.

thisplayingodatsforacertainqualityofesepainting,calledyi.the

treeohesaprincipleoftingusedineseings.tungchig

saidaboutpaintihateverylineshouldtallalong,andhihsaid

treesthehesealter.forthisisasecretleftusbyghao

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

fugitivespiriti.doicarehertheyareexactoot,herthe

ngelsewas

ntouroftheterisurical,butispagisanunfivable

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

thisdesireisuandableuholarsspiritwas

said:”anticbrush,

hollohetreofthestrokes,aheenthe

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

along,paintingillis,thesreation.

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

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