grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

hespiritofthethingsasitisinstilledintohissoul,and

eastandthefeleforortheindasbeingre

ursetherearealsonyeersy

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

bathinggirlshouldbedetorepreseeer.”todaynyese

ight,likeyiijen,giveusalandscapeof

andthisgeneralrhythalldetailstenandonlythetralinood

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

sayingthattheroosrentedfuished,andknotodoha

ihegeneralistnessoftheatsphere,or,like

notraalefest,

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anbody,espealebody,seetotobethest

eetagain

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

niyiinligiveusapindesolation,htheuntryastretch

forofnature.ifthereisanyapprealehunforssuch,wesee

ther”abovetheirntelpiedutelatea

saatsphereandthesafeelingfoature,butirayalofhunfor,

notthebeautiesoftheirbodiesbutthelihehehis

theisdesubservienttothe

felefigurecalled”ion.”thereisstilltodayalargeproportionof

te,beforeoneleaeventhefirstessentialsofpainting.of

singularteristifostsingularntrastbethineseand

nature.heshouldousthebeofthatnionofnature,and

eartisthedifferehesourceofinspiratioselfforthe

theygenerallybanishtheaionbycallihings

dofnature.thebestofelandscapes,likerots3giveusthe

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

gongpilesofksandbrushwood

englishandarisocietyuresintheirflatsby

”art,”andtheonesadethen”cr

vienneseporeoftheirfriendshavepreseheorchrists,

recreateforusapicture,”surchargedoodsandfeelings,evergingand

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

lingistsherodenlethetrees,

arestilluoreheelvestothefaivilizationrequires