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”art,”andtheonesadethen”cr

theygenerallybanishtheaionbycallihings

te,beforeoneleaeventhefirstessentialsofpainting.of

forofnature.ifthereisanyapprealehunforssuch,wesee

eastandthefeleforortheindasbeingre

eartisthedifferehesourceofinspiratioselfforthe

theisdesubservienttothe

hespiritofthethingsasitisinstilledintohissoul,and

notraalefest,

ursetherearealsonyeersy

bathinggirlshouldbedetorepreseeer.”todaynyese

arestilluoreheelvestothefaivilizationrequires

eetagain

lingistsherodenlethetrees,

singularteristifostsingularntrastbethineseand

gongpilesofksandbrushwood

anbody,espealebody,seetotobethest

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

notthebeautiesoftheirbodiesbutthelihehehis

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

ther”abovetheirntelpiedutelatea

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

andthisgeneralrhythalldetailstenandonlythetralinood

ight,likeyiijen,giveusalandscapeof

...

nature.heshouldousthebeofthatnionofnature,and

vienneseporeoftheirfriendshavepreseheorchrists,

felefigurecalled”ion.”thereisstilltodayalargeproportionof

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

recreateforusapicture,”surchargedoodsandfeelings,evergingand

dofnature.thebestofelandscapes,likerots3giveusthe

saatsphereandthesafeelingfoature,butirayalofhunfor,

englishandarisocietyuresintheirflatsby

niyiinligiveusapindesolation,htheuntryastretch

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

ihegeneralistnessoftheatsphere,or,like

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

sayingthattheroosrentedfuished,andknotodoha