laughinglyto,”thearrasareexquisiteenough,but,afterall,itlacksthe

intoablindurtyardaheviebootreesandafew

spaces,plantbaoosthatgrotreeshthickbrao

onepebblesofgreatbeauty

”peoplexputtyhhsiianesionebasinsbecausethelours

nordoesitdependonhavingaexpenditureoflabourand

vered.thus

anuedurtyard.thisistoprovidefortherealintheunreal.letadoorlead

andsorrohejealousyofthegodsandafraidthattheir

althoughtheyareveryelegant,theyblendinlourhputty.we

pot,overountainpeako,ingdoions

letusfollohesetures,apooresescholarandhis

alleyleadssuddenlyintoanopenspadthekitleadsthroughabackdoorinto

salour1soed,andusedaregularyihsihen

verthethisistoshoallinthelarge.all,the

beauty.thisistoshoall.ntrivesothatanapparentlyblind

sucharrahets,thekitandtheparlourwereallarranged

pingofspaesaid

roethingthere.placeloradesalongthe

.oningbackitalkeditoverhyiin,andsaid:

terial.pileupaundthegroundaeithrocks,

litedspaodifications....y

happinessynotlast.

tht.onitsbackaderuggedsquarelinesliketho

thodoftheboatninouativedistrileverarrashtheir

...

theherehouthills.inthebigopen

topofaosuggestaroofgarde.thisistoprovidefor

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binationofnvexandncaveshapes,deratedhgreen,

sotisapparentandsotishidden.thisisnotjust”rhythcirregularity,”

atsphereofarishouse.”itwassoindeed.

s,butby

theunrealinthereal.poorscholarshe

do””takesooftheintosllpieces

revealsandncealsalteately,kingit

xedbranchesforyourfendplantcreepersover

ofthetentsblend.theyellohishill,ho,and

tofakyhillside,alivehrugged

andxtheybeforeitisdry,andperhapsisdryithe

artisticapoor